With the launch of two new Futures plus a Young Guns winner, we interview Nicki Field on all things Futures.
EP Sue Loughlin shares advice on how to become a fully fledged animation director.
Head of Illustration Nicki Field shares advice for illustrators on how to develop their style, how to know if they truly need an agent & more…
An interview with George Coffey, Animation Director at KITCHEN on all things animation and storytelling.
We quiz Tishk on life after his big ‘launch’ into the commercial world of illustration.
We catch up with Alice, and discuss some of her favourite self-initiated projects in the next instalment of our #NoBrief series.
We chat to our Illustration Agent Sarah Morris and Creative Producer Kavita Daggar to find out just what information they need when approached with an illustration or animation brief.
Shining a light on the wondrous world of publishing and editorial illustration.
Daniela Sherer talks us through the ups and downs of creative freedom, the excitement of an ever-evolving style, and we take a look at her most recent project for Adult Swim, ‘Scooters’.
Chris and George discuss how illustrators can get their work ‘animation ready’ at D&AD’s New Blood Festival.
Alison Carmichael, Justin Poulter and Biff chat about starting out in the industry, how they use social media, and their top tips for aspiring illustrators.
We’re back with our second instalment of ‘Sit-Down with Sue’, this time with papercraft extraordinaire, Hattie Newman.
In the second installment of our #NoBrief series we chat to 3D illustrator and animation director Design Lad.
We kick off our #NoBrief series with an interview with British Arrows 2018 shortlister and Kinsale shark winning Neil Stubbings.
We delve into the weird and wonderful mind of recent signing animator and illustrator Allen Laseter.
Our owner Chris Page talks illustrators’ rights and the need to protect them in the AOI’s latest Business Insight article.
After her collaboration with SHOWstudio, Stina spoke to us about the experience of being a guest curator for New York Fashion Week.
With art that is as unique as it is technical, we sat down with the wonderful Freya to learn just how she creates each masterpiece.
Jelly owner Chris Page talks through the blood sweat and tears of creating a new website… and why we wouldn’t have it any other way.
In our latest Jelly Presents, we caught up Marylou Faure. Marylou tells us how it all began, where she finds her inspiration, and why empowering women will always be so central to her work.
Following on from her previous article, Jelly’s Head of Illustration Nicki Field offers budget negotiation tips and thoughts on pricing for illustrators in 2019…
The first of two articles, Jelly’s Head of Illustration Nicki Field does the un-British thing and talks about money and pricing for illustrators in 2019.
Having recently completed her final year at Central Saint Martins, Futures artist Alva has already made a big impact in the industry.
Working in Tel Aviv and London, animator work is friendly and minimalist.
Paris-based director is a master director of CGI, believing that with animation you can build any universe & give life to any story.
Known for her signature bold and vivacious style, Kelly Anna’s prolific output has earned her clients such as Nike, Stylist and Stella McCartney.
Geoffroy de Geoffroy is a French director and illustrator, who continuously explores many ways to apply and combine the techniques of traditional animation, stop-motion, 3D and mixed media.
We’re excited to announce that illustrator Tom Guilmard has just joined Futures.
We sat down with our very own Hannah Warren to talk Taste, Google, and all things colourful.